Architectural responses to the music

Following our first listening, we decided to review our architectural proposal and explore the idea of counterpoint. This resulted in a number of small, compositional studies, which sought to physically express the structure of the music. We used the models to look at how the solo-parts might be brought together in a more sophisticated manner than we had acheived previously, becoming increasingly interested in the notion of creating a family of architectural figures each of which is defined by the individual solo parts of Freya’s composition.